The Centre for Screen Cultures, in collaboration with the Centre for Contemporary Art, is delighted to welcome Dr Sandro Weilenmann to the University of St Andrews. Sandro will deliver a …
The Centre for Screen Cultures, in collaboration with the Centre for Contemporary Art, is delighted to welcome to St Andrews the artist and filmmaker Jyoti Mistry. Join us for a …
Join us for a screening of the Peruvian film Antuca, followed by a question and answer (Q&A) session with the film’s director, Maria Barea. The event will take place from 5pm …
Please join us for a special screening of the recently restored Burmese film General Cartoon (Tha Du, 1963) followed by Q&A with Director of Save Myanmar Film, Okkar Maung (on …
On 16 October, please join us in School 1, St Salvator’s Quad, for an afternoon programme of talks and a screening. Wildfires devour the Amazon. Devastating droughts affect Andean populations, …
The Centre for Screen Cultures is delighted to announce the first in-person event of our calendar for the new academic year! Please join us in School V, 4.00pm-5.30pm, on Wednesday …
On 26 October, the Centre for Screen Cultures, in collaboration with the St Andrews Centre for Amerindian, Latin American, and Carribean Studies (CAS), hosted a screening of Tiempo de Lluvia, …
Maria Fernanda Miño’s playlist traces cinematic representations of Christian missionaries in Ecuadorian film history.
Phillip Kaisary showcases five cinematic feature-length films produced in Havana in the 1970s that challenge the longstanding tradition of eliding Black resistance to slavery.
A themed playlist to accompany the upcoming publication of Women and Global Documentary: Practices and Perspectives in the 21st Century (2025), edited by Najmeh Moradiyan-Rizi and Shilyh Warren.
Patricia Aufderheide, American University The U.S. documentary production house Kartemquin Films, launched in 1966 and still going strong, has an amazing, improbable history. This pioneering institution has made films that …
James Lawrence Slattery. Strobe is characterised as rapid, bright flashing lights. When viewed on screen or experienced in person, this effect often makes actions appear as if they’re happening in …
A playlist drawn from and inspired by the Transgender Media Portal composed by its curator, Aliisa Qureshi.
On 24 May 2024, the University of St Andrews hosted a workshop that brought together an international array of contributors, with the aim of interrogating the realm of filmstrips. The …
Michelle Phillipov, The University of Adelaide After dominating broadcast and cable television schedules for much of the 2000s, food TV has found a range of new lives in non-linear, digital …
The Centre for Screen Cultures, the Centre for Art and Politics, and the Handa Centre for the Study of Terrorism and Political Violence collaborated on a screening of the documentary …
Emma Piper-Burket, University of Colorado Boulder “By the beginning of the 1970s, man had brought the destruction of his environment close to the point of no return. Of course, there …
In collaboration with Dundee Contemporary Arts, the Centre for Screen Cultures organised a special screening of the 1938 film The Drum in black-and-white on 16mm film. The screening accompanied the current exhibition ‘Our …
Dara Waldron, Technological University of the Shannon (Midwest) This playlist is influenced by research undertaken for a journal article titled ‘Film Symbiosis: Embodied spectatorship and sensory (auto)ethnography in Lucien Castaing-Taylor …
The anarchist collective Mayakov+sky Platform’s (MA.P) main project, since its establishment in 2011, has been the construction of a new methodology in philosophy, economics and poetics called Amphoterics through a …
The Centre for Screen Cultures, in collaboration with the St Andrews Centre for Contemporary Art, partnered with Visual AIDS for Day With(out) Art 2023 to present Everyone I Know is Sick, a programme of …