The Centre for Screen Cultures at University of St Andrews is delighted to be co-hosting a conversation between Budhaditya Chattopadhyay and Cathy Lane at 2pm-3.30pm on Wednesday 17th November via …
In September, the Centre for Screen Cultures will partner with Berwick Film and Media Arts Festival (10/9 -12/9) and will co-host the world premiere of Nguyễn Trinh Thí’s How to Improve …
Built from the CSC roundtable on The Mediated Voice, a collective playlist that builds on that event to explore connections of voice to gender and race, of dubbing and performance, of authenticity and creativity.
The Mediated Voice, 2020-21 Centre For Screen Cultures, University Of St Andrews From Michel Chion’s The Voice in Cinema to more recent work by scholars such as Rey Chow, Pooja Rangan, and Jennifer …
In November, enjoy a screening of Yours in Sisterhood and a roundtable on archives, dubbing, remediation and gender featuring director Irene Lusztig, Jennifer O’Mear, Tessa Dwyer, Jaimie Baron, and Shruti Narayanswamy. Click here for more information.
The Finger Lakes Environmental Film Festival (FLEFF) has launched a three-way international collaboration with the Taiwan Film and Audiovisual Institute (TFAI) and the Centre for Screen Cultures Playlist initiative at the University of St. Andrews Scotland to showcase playlists about online media projects about COVID-19.
Hungarian cinema often gets associated with one name only – Béla Tarr, the master of slow cinema – yet there is a lot more to be explored. Lucy Szemetova offers a taster plus a link to an online film premiere!
In anticipation of their online premiere of Stalking Chernobyl: Exploration After Apocalypse (Iara Lee, 2020), Cultures of Resistance Films shares some selections from their documentary film offerings which will be streaming until 26th April..
Join us for a public conversation on The Handmaid’s Tale and its multiple cultural and political expressions featuring scholars from Film Studies, International Relations, Philosophy, and Russian as well as you, the audience. We will explore ways of approaching this phenomenon (and Atwood’s recently released sequel, The Testaments) so that we may investigate its significance and the issues it raises.